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(catalogue from August 1st, 2010)









M.566 : Sonata (1997)  [8']

for pianoforte (Fortepiano)

10 (+2) pages


Brings the clearness of the low sounds of ancient pianos to the fore. 




M.614 : Lux Mundi (2000)  [22']

for organ

26 (+14) pages


Written in order to be playable on different kinds of organs (also playable with short octave). Written in such a way it can be played on different types of organs. To be played either on concerts or during the liturgy, suitable for the Holy Week or any other occasion. Very meditative work, alternatively dark or bright, tensed or oppressed. Commissioned by the European Music Month 2001. First performed by more than ten organists of Basel and the surroundings, during the Holy Week of 2001.


                                                           OTHER WORKS FOR ORGAN : click here




M.647 : Le Sommeil de la Raison produit des monstres (2005)  [5']

for solo arpeggione

4 (+2) pages


Presentation, score excerpt and audio recording


After an engraving taken from the Caprichos by Goya. This short piece, concentrated, installs a mysterious and elliptic climate of wait and fear.



In project :   


Work for baroque bassoon

Work for harpsichord




Chamber Music



In preparation :       


Trio for three basset horns



In project :   


Trio for recorder, viola da gamba and harpsichord




Orchestral Ensemble



In project :   


Work for baroque orchestra




Works using as well ancient instruments



M.528 : Vers le soleil couchant (Towards the setting sun), oratorio (1995-6)  [42']

for 4 soli (SATB), children's or young girl's choir, mixed choir and orchestra (0-c.a.-2 basset horns-2  0-2-3-0  Perc.(2)  Vl. and Vc. soli  strings)

M.528 full score 148 (+15) pages

M.528a reduction voice/piano: 91 (+15) pages

Performing material to be asked from the composer.

CD recording


The orchestra includes 2 basset horns. Numerous texts, also superimposed, on the subject of death, from the epic of Gilgamesh to E. Brontë, from the Vedas to Apollinaire (in English, French, German, Italian, Latin and Sanskrit languages). Very impressive work in its expressivity and its musical as well as philosophical development. Multitude of climates and very appeased ending. An order from the choir of the Fribourg University, which has first performed this work with great success in June 1996.


 M.634 : Les Serrures à Secret (2003-5)  [95']

For solo bass, actors, choirs and instrumental ensemble

242 (+16) pages


The instrumental ensemble includes a recorders trio. On a libretto by Michel Gremaud. Explores the myth of Hephaestus, placed in our time. The instrumental ensemble is divided into different groups, among which a wind quintet and a percussion ensemble.



All commissions welcome!