LAURENT METTRAUX
Route Principale 160,
CH-1791 Courtaman (Switzerland),
tel. + fax: (+41)
26/684.18.65, Email : laurent.mettraux(at)bluewin.ch
Welcome ¦ Biography ¦ Principal works ¦ Catalogue of works
CDs ¦ Documents to download ¦ Audio examples
Critics
and articles ¦ (First) performances ¦ Texts
¦ Links
SCORE EXCERPTS
The scores, in pdf format,
are readable with the programme Adobe Reader, free to download
Orchestral music and concertos
Chamber music (3 instruments and more)
Solos : Strings – Piano and organ
Orchestral
music and concertos
-
Organ Concerto,
M.628 (2002-3) :
beginning
of the score (232k)
excerpt
of the middle of the score (beginning 10’20’’ of the audio recording) (175k)
-
Concerto for
violin and orchestra n.3, M.607 (1999) :
beginning
of the 1st movement (163k)
complete 2nd movement (from 13’50’’ of the audio recording) (142k)
-
Concerto for
15 soloist strings, M.481 (1994) :
beginning
of the 1st movement (2825k)
-
Concerto for violin
and string orchestra n.2, M.579 (1998) :
end of the 1st
movement (1477k)
-
La Mort sur un Cheval Pâle (Death
on a Pale Horse), for orchestra, M.662 (2007) :
excerpt
of the middle of the score (4’49’’ to 7’31’’ of the audio recording) (380k)
audio recording and
presentation of the work
-
Le Cocyte, for full orchestra, M.603 (1999) :
excerpt of the middle
of the score (162k)
audio
recording of this excerpt and presentation of the work
-
Ombre (Shadow), for
full orchestra, M.515 (1995/1998) :
beginning of the score (1305k)
-
Symphony for
Chamber Orchestra or Symphony n.1, M.466 (1992) :
excerpt
from the middle of the score (108k)
end
of the score (633k)
audio
recordings of these excerpts and presentation of the work
Chamber
music (3 instruments or more)
-
String
Quartet, M.587 (1998-9) :
excerpt from the
middle of the score (108k)
audio
recording of this excerpt
-
String
Quintet, M.618 (2001-2) :
beginning (1st movement and beginning of the second) (177k)
audio
recording of this excerpt
-
Wind Quintet, M.612 (2000) :
beginning (1st movement and beginning of
the second) (185k)
audio
recording and presentation of the work
-
Quintet for
flute, violin, 2 violas and cello, M.627 (2002-3) :
end
of the score (87k)
-
Septet, for
flute, clarinet, horn, bassoon, violin, cello and piano, M.620 (2001) :
end of the 1st part and beginning
of the 2nd part (107k)
audio recording of this
excerpt
-
Stimmungen, for 4
cellos, M.648 (2005-6) :
excerpt of the first
movement (Appassionato) (48k)
excerpt of the second
movement (Malinconico) (56k)
excerpt of the third
movement (Macabro) (45k)
excerpt of the fourth
movement (Collerico) (52k)
excerpt of the fifth
movement (Onirico) (43k)
audio recordings
of these excerpts and presentation of the work
-
Suite for 3
flutes, M.649 (2005-6) :
excerpt
of the first movement (Poco rubato)
(66k)
excerpt
of the second movement (Scherzando) (87k)
excerpt
of the third movement (Molto sereno
– comme suspendu) (55k)
excerpt
of the fourth movement (Volubilmente) (77k)
audio
recording and presentation of the work
-
String Trio,
M.552 (1997-8) :
excerpt
of the 1st movement (399k)
end
of the score (633k)
audio recordings of these excerpts
-
Le Tombeau de Ravel, for tenor saxophone, bassoon, violin,
cello, piano, guitar and percussion, M.654 (2006) :
beginning
of the score (91k)
audio
recording of this excerpt and presentation of the work
-
Trio for
clarinet, cello and piano, M.632 (2003) :
beginning
of the score (88k)
excerpt
of the scherzando furioso (118k)
audio
recordings of these excerpts
-
Trio for
violin, cello and piano, M.520 (1995-6) :
excerpt
of the scherzando furioso (1495k)
end
of the score (1058k)
audio
recordings of these excerpts
-
Trio for alto
saxophone, cello and piano, M.573 (1998-9) :
end of the 1st
movement (756k)
audio
recording of this excerpt
-
Trio for
flute, viola and harp, M.569 (1997-9) :
excerpt
from the middle of the score (97k)
-
Danses Suisses (Swiss Dances), for four-handed piano, M.635
(2003-4) :
beginning of the 3rd
dance (Polka) (75k)
beginning of the 6th
dance (Dance of the Wild Man) (68k)
audio
recordings of these excerpts and presentation of the work
-
Duo for violin
and alto saxophone, M.540 (1996) :
end
of the score (848k)
-
Émergences, for violin and accordion, M.652 (2006) :
beginning of the score (97k)
audio recording
of this excerpt and presentation of the work
-
Reflets, for violin
and percussion, M.630 (2003-4) :
beginning
of the score (94k)
audio recording of this excerpt
and presentation of the work
-
Sonata for
flute and piano, M.533 (1996) :
excerpt
from the middle of the score (1084k)
-
Complainte, for solo
violin, M.633 (2003) :
beginning of the score (64k)
audio recording of this
excerpt
-
Microlude, for solo
cello, M.639 (2004) :
complete score (53k)
-
Soliloque, for solo
violin, M.585 (1998) :
complete score (83k)
-
The Sleep of
Reason produces monsters, for solo arpeggione,
M.647 (2005) :
beginning of the score (77k)
audio recording and presentation of the work
-
Déploration, for piano,
M.621 (2001) :
complete score (80k)
-
Gethsemané, for organ,
M.456 (1990) :
beginning of the score (605k)
audio recording of this
excerpt
-
Sonata in one movement,
for piano, M.463 (1991) :
beginning of the score (315k)
-
Stèles, cycle of 5
piano pieces, M.670 (2007-8) :
-
Écrit avec du Sang, beginning (60k)
-
Joyau mémorial, beginning (64k)
-
Éloge du Jade, beginning (57k)
-
Miroirs, beginning (56k)
-
Juges souterrains, beginning (63k)
-
audio recording and
presentation of the work
-
« Veilleur, où en est la
nuit ? », for organ, M.640 (2004-5) :
beginning of the score (66k)
-
Crucifixion,
for mixed choir a capella, M.589 (1998) :
excerpt of the score (1866k)
-
Elogio della Notte, for voice and piano
(version for bass voice), M.549 (1997) :
beginning of the score (78k)
audio recording of this excerpt
-
Le Nom Caché, Oratorio for 4 soloists, choir, solo cello, 2 pianos
and 6 percussionists, M.625 (2001-2) :
first excerpt (part VI) (151k)
second excerpt (part IX) (408k)
third excerpt (part XI) (199k)
fourth excerpt (end of the work) (233k)
audio recordings of these excerpts and presentation of the
work
-
La plus belle des Lumières, for mixed choir a capella, M.611 (2000) :
beginning of the score (132k)
-
Le Vent blesse
les Branches des Cerisiers, for mixed choir a capella,
M.645 (2005) :
beginning of the score (60k)
-
Plus près de toi
que tu ne l’es toi-même, for a capella vocal ensemble, M.651
(2006) :
first excerpt (beginning of the score) (95k)
second excerpt (middle of the score) (94k)
audio recordings of these
excerpts and presentation of the work